Skip to main content

Lalbagh Fort (Mughal royal residence)

Lalbagh Fort
Lalbagh Fort or Fort Aurangabad, a deficient Mughal royal residence stronghold at Dhaka on the waterway Buriganga in the southwestern piece of the old city. The waterway has now gone further south and streams at a significant separation from the post. D'Oily's artistic creation (1809-11) demonstrates that the greater part of this east-west oval post touched the water of the stream on its south and southwestern sides. The development of the fortress was initiated in 1678 AD by ruler muhammad azam amid his 15 month long bad habit sovereignty of Bengal, yet before he could finish the work he was reviewed by aurangzeb. His successor, shaista khan did not proceed with the work, however he remained in Dhaka up to 1688. His little girl bibi pari (Lady Fairy) kicked the bucket here in 1684 and this drove him to view the fortification as unpropitious.

For long the stronghold was thought to be a blend of three structures (the mosque, the tomb of Bibi Pari and the Diwan-I-Aam), two portals and a bit of the mostly harmed fortress divider. In any case, late unearthings did by the Department of Archeology of Bangladesh have uncovered the presence of different structures and it is currently conceivable to figure a pretty much entire photo of the fortress.
In the present fortress region of 18 sections of land, unearthings have uncovered stays of 26/27 structures with expand game plans for water supply, sewerage, rooftop greenhouses, and wellsprings. Remodel work by the Archeology Department has now put Lalbagh Fort in a much-enhanced shape and has now turned into a fascinating spot for travelers and guests.

Of the three surviving passages, the southern one is the most forcing. Seen from the front it is a three storeyed structure with a fronton, flanked with thin minarets. From inside it gives the impression of a two storeyed structure. The door on the upper east is a considerably littler and easier structure. It is assembled from auxiliary confirmation that the fortification stretched out toward the eastern side past the present Shaista Khan Road. The third entryway, now in the focal point of the northern limit divider, was left fragmented. The present one is a current development.
The southern fortress divider, running westbound from the South Gateway went up to the colossal bastion in the southwestern corner of the fortification. At that point the stronghold ran northward for a separation and afterward it is lost. The limit divider on the eastern side interfacing the southern and northern portals is a cutting edge divider and it is currently expected that the stronghold initially grasped zones advance east past the present Shaista Khan Road.

On the northern side of the southern fortress were set utility structures, for example, the stable, the regulatory piece, and its western part obliged an excellent rooftop cultivate with plans for wellsprings and a water store. The private part was situated on the eastern side of the western stronghold, essentially toward the south-west of the mosque, where the remaining parts of a sewerage line have been found. The southern fortress is a twin divider, the external one is around 6.10m high and 1.37m thick, while the inward one is 13.72m high with same thickness. The two are strong up to the tallness of 6.10m and there are general openings in the upper piece of the inward divider.

The first stronghold divider on the south had 5 bastions at normal interims and the western divider had 2 bastions. Among the 7 bastions the greatest one is close to the primary southern door at the back of the steady, which possesses the zone toward the west of the portal. The bastion had an underground passage. Among the five bastions of the southern stronghold the focal one was single storeyed, the rest are twofold storeyed structures. The focal one contains an underground live with veranda on three sides, and it can be drawn closer either from the riverside or from its rooftop. The twofold storeyed bastion at the southwestern corner of the stronghold was conceivably a Hawakhana, with a water supply on its rooftop. Two lines of earthenware funnels have been discovered, which associated all foundations of the stronghold with this supply. An additional solid earthenware pipe line made with twofold pipes, one inside the other, have been revealed in the zone between the Hammam and the tomb of Bibi Pari. The region westwards from the steady parallel toward the southern fortress once had an excellent rooftop cultivate with wellspring, rose and star plans denoting the flowerbeds, and a water repository. The structures underneath contained the managerial pieces and the private part on the western side.

Bibi Pari Tomb
The focal territory of the stronghold is involved by three structures - the Diwan-I-Aam and the Hammam on its east, the mosque on the west and the tomb of Bibi Pari in the middle of the two - in one line, yet not at measure up to separate. A water channel with wellsprings at general interim interface the three structures from east to west and two comparable channels keep running from south to north, one through the center of the ground in the middle of the Diwan-I-Aam and the tomb framing a square tank with wellsprings at the crossing point with the east-west channel, and the other from the water store going through the base of the tomb. The water channels and the wellsprings, an extremely basic element of Mughal design, set an air not exceptionally dissimilar to north Indian Mughal strongholds. A major square water tank (71.63m each side), set in front (toward the east) of the Diwan-I-Aam and in the middle of the southern and northern passages, adds to the magnificence of the building. There are four corner stairs to plunge into the tank. The twofold storeyed Diwan-I-Aam joined with a solitary storeyed Hammam on its west is a forcing building. The Hmmam complex incorporates an open stage, a little kitchen, a broiler, water stockpiling zone, a stone work block bath, a can, a changing area and an additional room. The Hammam divide has an underground space for bubbling water and an entry for sweepers. A long parcel divider runs north-south along the western veneer of the Hammam partitioning the entire stronghold territory into two divisions.

The working in the center, the tomb of Bibi Pari, is the most amazing of the surviving structures of the post. Eight rooms encompass a focal square room, containing the mortal stays of Bibi Pari, which is secured by a false vault, octagonal fit as a fiddle, and wrapped by metal plate. The whole inward mass of the focal room was secured with white marble, while the four side focal rooms had stone avoiding up to a stature of one meter. The divider in the four corner rooms was avoided with delightful coated botanical tiles. The tiles have as of late been reestablished; two of the first tiles have been held. The southeastern corner room contains a little grave, prominently known to be of Shamsad Begum, perhaps a relative of Bibi Pari. The Lalbagh Fort Mosque is a three-domed mosque with a water tank in front (on the eastern side) for bathing.


The archeological unearthings have uncovered strata of the Sultanate and in addition of the pre-Muslim periods, from where earthenware heads and plaques have been found. In this manner it is currently advocated to state that however the Mughals established Dhaka, it was certainly occupied well before the Muslims came to Bengal.

Popular posts from this blog

Cox's Bazar Bangladesh

Beauty of Cox's Bazar Cox's Bazar is a city, angling port, tourism focus and region central command in Bangladesh. The shoreline in Cox's Bazar is sandy and has a delicate slant; with an unbroken length of 155 km (96 mi), it is one of the longest ocean shorelines on the planet. It is found 150 km (93 mi) south of the modern port of Chittagong. Cox's Bazar is additionally known by the name Panowa, which Translates truly as "yellow bloom." Another old name was "Palongkee". The cutting edge Cox's Bazar gets its name from Captain Hiram Cox, an officer of the British East India Company. Cox was selected Superintendent of Palongkee station after Warren Hastings moved toward becoming Governor of Bengal. He left upon the undertaking of restoring exiles in the zone and gained huge ground. Commander Cox kicked the bucket in 1799 preceding he could complete his work. To recognize his part in restoration work, a market was set up and named Cox's Ba

Sabina Yasmin (Singer)

Sabina Yasmin Sabina Yasmin is a Bangladeshi vocalist. She is best known as a playback artist in Bengali silver screen. She has won Bangladesh National Film Award for Best Female Playback Singer a record 12 times. She has recorded more than 1,500 melodies for films and more than 10,000 tunes altogether. Yasmin was granted Ekushey Padak in 1984 and Independence Day Award in 1996 by the Government of Bangladesh. Yasmin was conceived in 1953 to Mouluda Khatun. The main melody that Yasmin learned with the family unit harmonium was Khokon Moni Shona. In 1964, she sang routinely in Khela Ghar, a radio program. P.C. Gomez was her established music guide. Performer Altaf Mahmud came to know her performing voice while going to her neighbor's home. She made her introduction in playback singing through the melody Modhu Jochnar Dipali for the movie Agun Niye Khela (1967), coordinated by Zahir Raihan. As youngster specialists, she and Shahnaz Rahmatullah won honors from President Ayub Kha

Kazi Nazrul Islam

Kazi Nazrul Islam Kazi Nazrul Islam (24 May 1899 – 29 August 1976) was a Bengali artist, author, performer, and progressive. He is the national writer of Bangladesh. Famously known as Nazrul, he created a substantial assemblage of verse and music with topics that included religious dedication and profound defiance to one party rule and mistreatment. Nazrul's activism for political and social equity earned him the title of "Radical Poet". His arrangements frame the cutting edge kind of Nazrul Sangeet (Music of Nazrul). Notwithstanding being respected in Bangladesh, he is similarly celebrated and worshipped in India, particularly in the Bengali-talking conditions of West Bengal and Tripura. Conceived in a Bengali Muslim Kazi family, Nazrul Islam got religious instruction and as a young fellow filled in as a muezzin at a nearby mosque. He found out about verse, dramatization, and writing while at the same time working with the country showy gathering Letor Dal. He jo